Texas Made Modern: The Art of Everett Spruce  Presentation with Shirley Reece-Hughes
Presented by CASETA & TACO (Texas Art Collectors Organization)

Fort Worth, TX, July 21, 2020 — The Amon Carter Museum of American Art (the Carter) announces Texas Made Modern: The Art of Everett Spruce, the first exhibition in nearly 30 years to highlight the pioneering and inventive career of Texas artist Everett Spruce (1908–2002)
Click here to learn more about the Everett Spruce Exhibition


Dr. Richard “Rick” Brettell. Photo courtesy UTD.

A good friend of early Texas art and CASETA, as well as a stalwart of the Dallas art community has died after a long battle with cancer. Dr. Richard R. “Rick” Brettell was an educator, museum administrator, internationally known Impressionism scholar, and lauded fundraiser for expansions within the Dallas Museum of Art (DMA) and University of Texas at Dallas (UTD). Dr. Brettell held the Margaret M. McDermott Distinguished Chair of Art and Aesthetic Studies and the Edith O’Donnell Distinguished University Chair at UTD, and also served as Vice Provost there. He passed away Friday, July 24, 2020, at age 71, according to a post by the University of Texas at Dallas Office of Media Relations.

Dr. Brettell’s career began before his tenure as Director of the Dallas Museum of Art, a role he held from April 1988 to December 1992. Born in Rochester, New York in 1949, Dr. Brettell earned his undergraduate and doctorate degrees from Yale University. At the time of his appointment as at the DMA, as the first director hired after the museum’s relocation to the Dallas Arts District in 1984, he was the Searle Curator of European Painting at the Art Institute of Chicago.

Under Dr. Brettell’s directorship, more than 3,000 objects were acquired into the DMA’s holdings. Via a statement from the DMA:

“More than a dozen major and nearly 100 focus exhibitions were presented at the DMA during Brettell’s tenure, including Georgia O’Keeffe 1887-1986 (1988), the third most-attended exhibition in the DMA’s history.

“Brettell oversaw the construction and installation of the DMA’s Nancy and Jake Hamon Building extension, completed in 1993. The Hamon Building added 140,000 square feet to house educational and temporary exhibition spaces, the newly endowed Mildred R. and Frederick M. Mayer Library, and, most notably, a visionary installation of the DMA’s Arts of the Americas.

“From 2014 to 2019, Brettell served as the Founding Director of UTD’s Edith O’Donnell Institute of Art History (EODIAH), a center for innovative research and graduate education in art history, which includes an ongoing partnership with the Dallas Museum of Art, spearheaded by Brettell. It comprises research and teaching by UTD and DMA staff that focus on artworks held in the DMA’s collection.”

A respected scholar of Impressionism and French painting from 1830 to 1930, in 2010 Dr. Brettell received a “Commandeur” certificate from the French Ordre des Arts et des Lettres for his work on FRAME (French/Regional/American Museum Exchange).

Greg Metz, artist and Clinical Associate Professor of the Arts and Humanities and Gallery Director of SP/N University Gallery at UTD, had this to say of Dr. Brettell (from Metz’s Facebook page):

“His influence has been immense and far reaching — whether a small gesture such as creating the ‘Wilcox Space’ celebrating an unsung Dallas artist that died of AIDS to creating FRAME, a collaborative cultural alliance between the French and American museums… Anyone who has known Rick has experience his brilliance — not just as an innovator, lecturer, art writer, art historian, book author, Curator and educator, entertainer and all else — but also as a Friend to all he meets and a Humanist, who has used his influence to champion the under-served, cross class divides, along with new ideas and initiatives that might not have a way forward otherwise.”

Article by Glasstire


Click here to view the 2019 Symposium Speaker Presentations
What is CASETA?

The Center for the Advancement and Study of Early Texas Art works to promote the preservation, study, and appreciation of early Texas visual art and its history. 

For over a decade CASETA has held annual symposiums that have brought together leading collectors, scholars, art dealers, museum people, and educators. Working with the University of North Texas, we have developed a program exploring the artistic heritage of our state. It has become a significant resource for educators that engages students in Texas history tied to state curriculum requirements. 
CASETA has played a significant role in encouraging research, publications and exhibitions regarding our visual arts heritage. We have presented programs in various regions of the state and have searched out and recognized living artists of our earlier heritage and encouraged the collecting of their archives and art. Your support is vital in allowing us to continue our efforts to protect our artistic legacy.

In recent years, Texas has gained recognition for its extraordinarily rich artistic and cultural environment. From the earliest days of settlement, artistic activity has been pivotal to Texas cultural life. Increasingly, a vast range of art centers, major museums, local arts organizations, and community centers recognize the invaluable artistic contributions made within the state. Museum catalogs, academic scholarship, and media attention continue to raise the profile of Texas art. CASETA and its passionate supporters research, preserve, and advance awareness of this extraordinary legacy. Please join us as we explore Texas art from its earliest incarnations through the mid-twentieth century.

Julian Onderdonk
Sun Lit Birches
Oil on Canvas
25" x 30"
Courtesy of the Nancy and Ted Paup Collection